| A long time ago, Peter Wexler studied painting, photography and design at the University of Michigan’s School of Architecture & Design, in preparation for an intense life as a scene, costume and lighting designer in theatre, opera, music, television and film. Now, in addition to collaborative art, he is concentrating on painting, sculpture and photography. |
| BIG APPLE CIRCUS TENT GRAPHIC – 2005 |
| EMAIL: peterwexler@mindspring.com |
| PLEASE SCROLL DOWN |
| U.S. Equities Realty of Chicago sponsored a one-man show for him, which opened in January, 2007, at the Chicago Cultural Center, along with the publication of a book of Mr. Wexler’s photographs of Venice called “Reflections–Riflessioni.” |
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A native of New York City, he started his theatre and art education in its public schools. During summer recess, at the age of eleven, he apprenticed himself to the Cleveland Playhouse in Chautauqua, New York and later to the Chautauqua Opera Association. As a teenager he studied drawing at the Art Students League and was a supernumerary with the Metropolitan Opera Company in New York. |
| In 1958 Mr. Wexler designed "Anthony and Cleopatra", starring the young George C. Scott and Colleen Dewhurst, for Joseph Papp at the newly formed New York Shakespeare Festival. He was also a founding member of the Center Opera in Minneapolis, Minnesota in 1963. |
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Mr. Wexler has produced, programmed, directed, designed and/or raised funds for museum exhibitions, concerts, public spaces and media events for the U.S. Department of the Navy, the Metropolitan Opera, the New York Philharmonic, the National Symphony Orchestra, the U.S. Department of Agriculture, the Smithsonian Institution, the Port Authority of New York and New Jersey, as well as the Trammell Crow Company, AIRCOA, the Oxford Development Company, E.D.S. (D.S.O. Outdoor Concerts - Ross Perot) and the Taubman Company (Al Taubman) in the private sector. Mr. Wexler produced the gala fund-raising concert "Salute to Slava" for the National Symphony Orchestra at the J. F. Kennedy Center, which was televised nationally by WETA. He also provided an environment for the "Boston Pops,” starting in 1995. |
| DUE CASE FROM "REFLECTIONS" PHOTOS OF VENICE |
| PETER WEXLER |
| BENJAMIN BRITTEN'S "CHURCH TRILOGY" – ST. STEPHENS CHURCH, NEW YORK MODEL 1973 |
| WAR AND PEACE – A. P. A. PHOENIX THEATRE, NEW YORK MODEL 1964 |
| CANDIDE – THEATRE GROUP, LOS ANGELES MODEL 1966 |
| PITTSBURGH PUBLIC THEATRE 1973 CONCEPTION AND DESIGN OF THEATRE SPACE |
| THE RUG CONCERTS" – SPATIAL CONCEPTION MODEL 1973 |
| THE RUG CONCERTS IN PERFORMANCE 1974 |
| LES TROYENS – METROPOLITAN OPERA – NEW YORK – 1973 |
| PRODUCTION |
| SHIP MODEL |
| MR. WEXLER'S SKETCH ON THE FRONT PAGE OF THE N.Y.TIMES THE WHITE HOUSE STAGE – 1961 |
| SEARCH FOR LIFE SMITHSONIAN INSTITUTION WASHINGTON D.C. 1987 |
| MODEL |
| EXHIBIT |
| STAR SPANGLED BANNER NATIONAL MUSEUM OF AMERICAN HISTORY SMITHSONIAN INSTITUTION WASHINGTON D.C EXHIBIT STARTING IN 1982 |
| AMERICAN ANTHEM TRAMMELL CROW COMPANY NATIONAL MUSEUM OF AMERICAN HISTORY SMITHSONIAN INSTITUTION – 1985 |
| THE TAUBMAN COMPANY – CORPORATE AIRCRAFT EXTERIOR GRAPHICS AND INTERIOR – 1982 |
| SYMPHONY HALL INTERIOR RESTORATION AND SYSTEMS UPDATE BOSTON – 1999 |
| MIDLAND CENTER FOR THE ARTS CONCERT ENVIRONMENT DESIGN AND HALL RESTORATION – 2002 |
| DETROIT SYMPHONY ORCHESTRA – PROJECT CONCERT SHELL AND LIGHTING – MODEL 2002 |
| WORLD SCULPTURE – 1998 |
| THE DENVER SYMPHONY ROCKY MOUNTAIN MUSIC FESTIVAL 1983 |
| MODEL |
| PERFORMANCE |
| THE CARLOS MOSELEY MUSIC PAVILION THE METROPOLITAN OPERA ASSOCIATION AND THE NEW YORK PHILHARMONIC PROJECT LEADERSHIP IN DESIGN AND PLANNING – MODEL 1990 |
| CHANDELIER – 16' 0" HIGH UN BALLO IN MASCHERA METROPOLITAN OPERA SKETCH – 1980 |
| END |