|
2004 |
Consultant
- Fund raising presentation - THE FLORIDA ORCHESTRA - Leonard
Stone, Executive Director - Tampa, FL |
|
|
|
Designer -
Scenery and Projections - THE TALKING CURE - Christopher Hampton
- Center Theatre Group - Mark Taper Forum - Gordon Davidson,
Artistic Director/Producer - Los Angeles, CA |
|
|
|
Artist /
Photographer - REFLECTIONS - Photography of Venice - One man
show and book - U.S.Equities - Bob Wislow - Chicago, IL |
|
|
|
Consultant
- Lighting Update - MIDLAND CENTER FOR THE ARTS - Michael Tiknis,
President and CEO - Midland, MI |
|
|
|
Consultant
/ Designer - Graphic Look for Big Top - THE BIG APPLE CIRCUS -
Paul Binder, Founder and Artistic Director - New York, NY |
|
|
|
Consultant
- CAMPUS MARTIUS PARK - Detroit Central City Renaissance -
Performance and Event Planner and Systems Advisor -
Rundell-Ernstberger Associates, Landscape Architect - Detroit
300 Conservancy - Robert Gregory, Executive Director - Detroit,
MI |
|
|
|
2003 |
Consultant
- THE BATTERY - Performance and Event Planning - Thomas Phifer &
Partners, Architect - The Battery Conservancy - Warrie Price,
President - New York, NY |
|
|
|
For
Publication - THE REMARKABLE ADVENTURES OF TEXAS AND BUBBA IN
VENICE - TEXAS AND BUBBA IN ART - Marian Reiner, Literary Agent
- New Rochelle, NY - Creative Products International, Inc. -
Francis Tod Stewart, President - New York, NY |
|
|
|
2002 |
Consultant
- ORCHESTRA HALL - DETROIT SYMPHONY ORCHESTRA - Plan for Concert
Shell and Lighting - Emil Kang, President and Executive Director
- Peter Cummings, Chairman of the Board - Jaffe Holden
Acoustics, Inc. - Christopher Jaffe, President - Detroit, MI |
|
|
|
Consultant
- MIDLAND CENTER FOR THE ARTS - Completion Interior Design and
Renovation of Concert Hall - Public Space Sculpture Project -
Michael Tiknis, President and CEO - Dick Jellum, Vice President
- Midland, MI |
|
|
|
2001 |
Consultant - Concert Shell Environment and Lighting - MIDLAND
CENTER FOR THE ARTS - |
|
Michael
Tiknis, President and CEO - Jaffe Holden Acoustics - Christopher
Jaffe, President -
Midland, MI |
|
|
|
2000 |
Consultant
- Lighting - HIGH ALTITUDE - Club / Lounge - Alex Bueno de
Moraes, Co-Owner - Ali
Tayar, Architect - New York, NY |
|
|
|
Creator,
Producer - Developing new material for Production and /
Consultant - Performance Facility Usage and Image - NEXTSTAGE
ENTERTAINMENT CORP. (National Theatre Chain) - Leo Linbeck,
President, C.E.O. - Chris Fahlman, Executive Vice President,
C.O.O. - Houston, TX |
|
|
|
1999 |
Consultant - Image and Identification Program -
Call Center - SHUBERT TICKETING
SERVICES - TELECHARGE - John Whitcomb, Director -
Evolutia - Jeff Davis, Assistant
facilities Director - THE SHUBERT ORGANIZATION, INC. -
Hackensack, NJ |
|
|
|
Consultant - A lighting, rigging and interior systems update -
SYMPHONY HALL - Boston Symphony Orchestra - Mark Volpe, Managing
Director - Ray Wellbaum, Orchestra Manager - Boston, MA |
|
|
|
1998 |
Consultant - Production, Direction, Design Leadership - THE
NATIONAL UNDERGROUND RAILROAD FREEDOM CENTER - Schematic Design
- American History Workshop - Richard Rabinowitz, President -
N.U.R.F.C. - Edward Rigaud, President - Cincinnati, Ohio. |
|
|
|
Consultant
- Exhibition Design - JUDAICA MUSEUM - Karen Franklin, Director
- Hebrew Home For The Aged At Riverdale - Jacob Reingold, Vice
Chairman |
|
|
|
Produced
and Designed - PICKLES & EGG CREAM - permanent exhibition
installation - JUDAICA MUSEUM - Karen Franklin, Executive
Director - The Hebrew Home For The Aged At Riverdale, NY - Jacob
Reingold, Vice Chairman |
|
|
|
Consultant
- Design - ABC NEWS - GOOD MORNING AMERICA - 20/20 - WORLD NEWS
TONIGHT - with PINXIT - Roger Goodman, Executive Producer
Special Projects - Roon Arledge, Chairman - David Westin,
President - ABC Studios NY |
|
|
|
1997 |
Created
HOLIDAY POPS ENVIRONMENT (Christmas 1997) - Boston Symphony
Orchestra - Keith Lockhart, Pops Conductor - Mark Volpe,
Managing Director - Ray Wellbaum, Orchestra Manager - WCVB (ABC
TV) - A & E Network - Stella Gould, Producer - Symphony Hall,
Boston, MA |
|
|
|
Produced
and Exhibit Designed - LIVING THE FIFTH COMMANDMENT: HONORING
OUR PARENTS - Judaica Museum - Karen Franklin, Executive
Director - The Hebrew Home For The Aged At Riverdale |
|
|
|
Consultant
- CALGARY CENTRE FOR THE PERFORMING ARTS - Colin Jackson,
Executive Director - Russ McKinnon, Chairman of the Board -
Calgary, Alberta, Canada |
|
|
|
Created
BOSTON POPS ENVIRONMENT (Spring 1997) - Boston Symphony
Orchestra - Keith Lockhart, Pops Conductor - Mark Volpe,
Managing Director - Ray Wellbaum, Orchestra Manager - WGBH
(Evening at Pops) - Bill Cosel, Producer - Symphony Hall,
Boston, MA |
|
|
|
1996 |
Created
HOLIDAY POPS ENVIRONMENT (Christmas 1996) - Boston Symphony
Orchestra - Keith Lockhart, Pops Conductor - Kenneth Haas,
Managing Director - Ray Wellbaum, Orchestra Manager - WCVB (ABC
TV) - A & E Network - Stella Gould, Producer - Symphony Hall,
Boston, MA |
|
|
|
Produced
and Exhibit Designed GENIZA - with PINXIT - Judaica Museum -
Karen Franklin, Executive Director - The Hebrew Home For The
Aged At Riverdale |
|
|
|
Designed
Physical Installation - PRUDENTIAL SECURITIES - Web Site U.S.
OPEN - 1996 - A.V.I. – Tom Presioso, President - Melissa A.
Socci - Prudential, NY |
|
|
|
Developed
as Producer “MUSIC IN AMERICA” - A Television Series - National
Symphony Orchestra - Leonard Slatkin, Music Director - John F.
Kennedy Center for the Performing Arts - Lawrence Wilker,
President - James D. Wolfensohn, Initiator - Washington DC |
|
|
|
Created a
lighting, rigging and interior Systems Update Plan - SYMPHONY
HALL (1995-1997) - Boston Symphony Orchestra - Kenneth Haas,
Managing Director - Ray Wellbaum, Orchestra Manager - Boston, MA |
|
|
|
Designed 1st
Part (1994 - 1996) - COMPLETE WORKS OF VERDI - New York Grand
Opera - In Association with Hal Tine - Vincent LaSelva, Founder
and Artistic Director - Central Park, New York, NY |
|
|
|
Created
BOSTON POPS ENVIRONMENT - Boston Symphony Orchestra - Keith
Lockhart, Pops Conductor - Kenneth Haas, Managing Director - Ray
Wellbaum, Orchestra Manager - WGBH (Evening at Pops) - Bill
Cosel, Producer - Symphony Hall, Boston, MA. |
|
|
|
Schematic
Designed - EXTERIOR LIGHTING AND GRAPHICS - The Cathedral Church
of Saint John the Divine - The Very Reverend James Parks Morton,
Dean - Stephen Facey, Vice
President of Planning and Special Projects - Amsterdam
Avenue, New York, NY |
|
|
|
Schematic
Designed - DONOR RECOGNITION PROGRAM - The Cathedral Church of
Saint John the Divine - The Very Reverend James Parks Morton,
Dean - Jere Farrah, Executive Vice President for Development and
Public Affairs - Amsterdam Avenue, New York, NY |
|
|
|
Schematic
Designed - MANGANARO'S HERO BOY RESTAURANT (Grandma Nina's
Italian Kitchen Theme Restaurant) - James Dell' Orto, President
- Ninth Avenue, New York, NY |
|
|
|
1995 |
Created
HOLIDAY POPS and BOSTON POPS ENVIRONMENT (Spring 1995 & 96 - |
|
Christmas
1995) - Boston Symphony Orchestra - Keith Lockhart, Pops
Conductor - Kenneth Haas, Managing Director - WCVB (ABC TV) -
A&E Network - Stella Gould, Producer - WGBH (Evening at Pops) -
Bill Cosel, Producer - Symphony Hall, Boston, MA |
|
Designed Scenery - CANDIDE - Center Theatre Group - Ahmanson
Theater - Gordon |
|
Davidson,
Artistic Director/Producer - Los Angeles, California |
|
Directed -
DUE FOSCARI - New York Grand Opera - Vincent LaSelva, Founder
and Artistic |
|
Director -
Central Park, New York, NY |
|
Exhibit Design - PICKLES & EGG CREAM - With PINXIT - Judaica
Museum – Karen |
|
Franklin,
Executive Director - The Hebrew Home for the Aged at Riverdale,
NY |
|
|
|
1994 |
Conducted
Feasibility Study - Temporary Quarters Project (while War
Memorial Opera |
|
House was
under reconstruction due to earthquake) - SAN FRANCISCO BALLET |
|
ASSOCIATION
- Helgi Tomasson, Artistic Director - Arthur Jacobus, Executive
Director – |
|
San
Francisco, CA |
|
|
|
Founder/Producer/Artistic Director - SPRING CREEK MUSIC FESTIVAL
1992-1994 - Dr. Bob Smith, Mayor - Ron Holifield, City Manager -
Garland, TX (Dallas-Fort Worth Metroplex) |
|
|
|
Produced -
SALUTE TO SLAVA - Final Concert of Mstislav Rostropovich as the
Music Director of the National Symphony Orchestra - Stephen
Klein, Executive Director - J. F. Kennedy Center for the
Performing Arts - James D. Wolfensohn, Chairman - In Association
with WETA - Televised on PBS September 7, 1994 - Washington, DC |
|
|
|
Designed
Scenery - UNFINISHED STORIES - New York Theatre Workshop - James
Nicola, Artistic Director - Directed by Gordon Davidson - New
York, NY |
|
|
|
Directed -
CRY THE BELOVED COUNTRY - San Antonio Symphony - Christopher
Wilkins, Music Director - Margaret King Stanley, Artistic
Advisor/Producer - San Antonio, TX |
|
|
|
1993 |
Designed
Scenery, Costumes, and Visual Effects - LES TROYENS - (Revival)
- Metropolitan Opera - James Levine, Music Director - Joseph
Volpe, Managing Director - Lincoln Center - New York, NY |
|
|
|
1992 |
Designed
Scenery - UNFINISHED STORIES - Center Theatre Group - Mark Taper
Forum - |
|
Gordon
Davidson - Los Angeles, California |
|
|
|
1991 |
Designed -
Corporate Interiors - Shapiro & Lobel - Aaron Shapiro - New
York, New York |
|
|
|
Designed -
Donor Acknowledgment Sculpture - NEW YORK CITY OPERA -
Christopher Keene - C.W. Shaver & Company - Albert Milano -
Lincoln Center, New York |
|
|
|
Produced -
Outdoor Concert - DALLAS SYMPHONY ORCHESTRA - Leonard D. Stone -
City of Plano - Florence Shapiro, Mayor - Plano, Texas |
|
|
|
Created -
Atrium Balloon Sculpture - MR. ABBOTT AWARDS - Tommy Tune
Recipient - Stage Directors and Choreographers Foundation -
David Rosenak - The Equitable Building, New York |
|
|
|
Created -
Trompe L'Oiel - N. GLANTZ & SON EXHIBITION BOOTH - Joseph
Hartman - Brooklyn, New York |
|
|
|
Produced,
Marketed, and Managed - THE SEARCH FOR LIFE NATIONAL TOUR - An
Exhibition of Genetic Technology in the Twentieth Century - USDA
- J.P. Jordan - University of Maryland - F. E. Bender -
Smithsonian Institution - National Museum of American History -
Roger Kennedy - Washington, D.C. |
|
First Tour
Stop - Cold Spring Harbor Laboratory - DNA Learning Center -
James Watson - David Miklos - Cold Spring Harbor, N.Y. |
|
|
|
Studied -
Outdoor Performance Capability and Production - THE TEXAS
FESTIVAL OF THE ARTS IN PLANO - Florence Shapiro, Mayor - Ron
Holifield - E.D.S. - Vicki Yacovoni - Plano, Texas |
|
|
|
Project
Leadership in Design and Planning - THE CARLOS MOSELEY MUSIC
PAVILION - Portable Outdoor Performance Facility -
NEW YORK PARKS CONCERTS - Metropolitan Opera - Joe Volpe - New
York Philharmonic - Albert K. Webster - F.T.L., Architects -
Jaffe Acoustics - New York |
|
|
|
1990 |
Directed -
AFRICAN PORTRAITS Premiere Performance - Carnegie Hall -
Composer, Hannibal Peterson - The American Composers Orchestra,
Inc. - Jesse Rosen - New York |
|
|
|
Consulted
on Design and Program - Public Spaces, Lighting, Sound, Signage,
and Video Information - WONDER MALL - 1,400,000 sq. ft. "theme"
shopping center - Oxford Development Company - Ed Lewis - Molly
Alpert - Nancy Byrnes - Pittsburgh, P.A. |
|
|
|
Consulted
and Designed - Visual Environment and Graphic Interface -
LIFETIME MEDICAL TELEVISION - Lifetime Network - David Moore -
Holly Atkinson - Eric Lawrence - Mark Ganguzza - New York |
|
|
|
1980's |
Developed -
SUMMER MUSIC FESTIVAL - HISTORY OF MUSIC - Broadcast and
Educational T.V. Series - National Symphony Orchestra- Stephen
Klein - John F. Kennedy Center for the Performing Arts - Jillian
Poole - Washington, D.C |
|
|
|
Consulted
on Design Scheme - BANDSTAND - Outdoor Performance Facility -
Central Park Conservancy - Central Park - Elizabeth Barlow
Rogers - New York |
|
|
|
Consulted
on Design Scheme - STREET MALL - 9th Avenue 37- 38th Street's
Manganaro's Hero Boy Restaurant - James Dell'Orto - New York |
|
|
|
Fall, 1989 |
Designed
Set - AFTER WORDS - Lifetime Television Network - Ann Black,
Ellen Rodman, Ellen Abrams, Angela Mancuso - New York |
|
|
|
Prepared
study - WORLD WAR II - an exhibition on the 50th anniversary of
the bombing of Pearl Harbor - with The American History Workshop
- Richard Rabinowitz - for the U.S. National Archives and Record
Administration - Linda N. Brown - National Archives - Office of
Public Programs - Washington, D.C. |
|
|
|
Visual
Consultants - FACE TO FACE - T.V. Interviews with John Cardinal
O'Connor - Hilton Sucherman Productions, Inc. - Marc Morgenstern
- Mark Ganguzza - New York |
|
|
|
Spring/Sum. 89 |
Consulted, Designed, Programmed Facility - "REEBOK RIVERSTAGE"
Outdoor Performance Facility - Pier 84 - RADIO CITY MUSIC HALL
PRODUCTIONS - James McMannus - Scott Sanders Reebok Brands -
Mark Goldston -New York |
|
|
|
Produced
and Directed - NAVY '89 - Multi-Media Summer Ceremony - UNITED
STATES NAVY BAND - Washington Naval Yard - Rear Admiral James
Finkelstein, USN - Lt. Commander Stephen Pietropaoli - Lt.
Commander Chris Baumann - Department of Navy - Office of
Information - Washington, D. C. |
|
|
|
Fall, 1988 |
Directed -
LOST IN THE STARS - Carnegie Hall - The American Composers
Orchestra, Inc. - Jesse Rosen - Dennis Russell Davies - David
Drew - New York |
|
|
|
Summer, 1988 |
Designed
Scenery - RIGOLETTO - UN BALLO EN MASCHERA - 1988 Central Park
Performances - New York Grand Opera - Vincent LaSelva - Frank
Gentilesca - New York |
|
|
|
Produced
and Created Facility for - GURUMAYI BIRTHDAY CELEBRATION -
Outdoor Performance Facility and Event - SYDA Foundation -
George Afif - Patrick McGee - Daniel Windham - Betty Buckley -
Leonid Koslov - Paul Dunkel - South Fallsburg – NY |
|
|
|
Programmed and Designed - Interior - Multimedia Installation -
Advertising Revenue and Ancillary Usage - TRANS-HUDSON FERRY -
George G. Sharp, Inc. - Robert Kiefer - Port Authority of NY &
NJ - Charles Makish - Douglas Karpiloff - New York |
|
|
|
Winter, 1987 |
Produced,
Managed, and Designed - THE SEARCH FOR LIFE - A Multi-Media
Exhibition of Genetic Technology in the Twentieth Century - USDA
- J.P. Jordan - University of Maryland - F.E. Bender
-Smithsonian Institution - National Museum of American History -
Roger Kennedy - Washington - D.C. |
|
|
|
Summer, 1987 |
Produced
and Created - NAVY '87 - Multi-Media Summer Ceremony and
Performance Facility - UNITED STATES NAVY BAND - Rear Admiral
James Finkelstein, USN - Lt. Commander Stephen Pietropaoli -
Dept. of Navy - Office of Information - Washington, D.C. |
|
|
|
Spring, 1987 |
Designed
Scenery and Projections - TERRA NOVA - Japanese Tour -
D.A.R.T.S. - Mark Taper Forum - Gordon Davidson - Tokyo, Japan |
|
|
|
Produced -
GALA CONCERT - SIXTIETH BIRTHDAY CELEBRATION FOR MSTISLAV
ROSTROPOVICH - National Symphony Orchestra - Stephen Klein -
John F. Kennedy Center - Washington - D.C. |
|
|
|
Produced
and Directed - PLETKA - Multi-Media Theatre Piece for Orchestra
- Dallas Symphony Association - Leonard Stone - Paul Pletka -
Charles Strouse - Dallas - Texas |
|
|
|
Fall, 1986 |
Production
Designed - THE WORLD OF DUNN & BRADSTREET - Corporate Video -
New Vision - John Love - Elizabeth Cotnoir - New York |
|
|
|
Summer, 1986 |
Art
Direction - THE TRUE LIFE STORY OF FRANKIE TOUSSAINT - SATURDAY
NIGHT LIVE Film Segment - New Vision - John Love - Elizabeth
Cotnoir - John Eskow - New York |
|
|
|
Co-Produced
and Designed - Visitor Center - Video and Exhibit Space - ALBANY
URBAN CULTURAL PARK - American History Workshop - Richard
Rabinowitz - Albany Urban Cultural Park - Mathew Bender - Albany
- New York |
|
|
|
Spring, 1986 |
Production
Designed - HORIZONS '86 - New York Philharmonic - Daniel Windham
- Jacob Druckman - Avery Fisher Hall - Lincoln Center - New York |
|
|
|
Studied -
Public Space Accommodations - Special Events - FOUNTAIN PLACE -
Criswell Development Company - Joe Detuno - Dallas - Texas |
|
|
|
Winter, 1985 |
TRAMMELL
CROW COMPANY - Harlan Crow - Marguerite Steed - Dallas - Texas: |
|
1.
Consulted On - Parking Lobbies - Design and Advertising Revenues
- L.T.V. CENTER |
|
|
|
2. Designed
- Parks Sculpture Project - T.C.C. DOWNTOWN OFFICE BUILDINGS |
|
|
|
3. Studied
- Banner Project - T.C.C. DOWNTOWN OFFICE BUILDINGS |
|
|
|
4.
Consulted on - Electronic Signage - L.T.V. CENTER |
|
|
|
5.
Consulted on - General Lobby Accommodations - L.T.V. CENTER |
|
|
|
6. Designed
and Brokered - Exhibition from Museum of American Folk Art -
"Liberties With Liberty" - L.T.V. PAVILION |
|
|
|
Exhibited -
One-Man Show - Costume Sketches - Design Work for OTELLO - Chase
Manhattan Bank - Agatha Kimmel - Lincoln Center New York |
|
|
|
Spring, 1985 |
DALLAS SYMPHONY ORCHESTRA - Morton H. Meyerson Symphony Center -
I.M. Pei and Partners - Charles Young - Dallas Symphony
Association - Leonard Stone - Dallas - Texas: |
|
1. Produced
and Directed - MEDIA - For Display and Promotion of New Concert
Hall |
|
2.
Consulted - On Reverberance Chamber Screen - NEW CONCERT HALL |
|
|
|
L.T.V. CENTER - Office Tower and Pavilion - Trammell Crow
Company - Harlan Crow - Dallas Arts District - Dallas - Texas:
Produced and Designed - AMERICAN ANTHEM - A Media Exhibition of
Sounds and Symbols of American History - On Loan From the
Smithsonian Institution's National Museum of American History |
|
|
|
Fall, 1984 |
Production
Designed - TO THE VICTORS - Corporate T.V. - Pepsico - Reeves
Corporate Services - Naomi Smith - Jesse Walker - New York |
|
|
|
Studied -
Exhibition Possibilities and Public Accommodations - Renovation
FEDERAL HALL - With American History Workshop - John L. Bryant,
Jr. - National Park Foundation - Wall Street - New York |
|
|
|
Summer, 1984 |
Produced -
THE ROCKY MOUNTAIN MUSIC FESTIVAL 1984 - for the Denver Symphony
Orchestra - Stephen Klein - Denver – Colorado |
|
|
|
Designed -
TRAVELING EXHIBITION - New York Philharmonic Far East Tour -
N.Y. Philharmonic - Francis Little - Albert K. Webster - New
York |
|
|
|
Spring, 1984 |
Produced
and Directed - Multi-Media Show - Announcing - MORTON H.
MEYERSON SYMPHONY CENTER INTERIOR - Dallas Symphony Association
- Leonard Stone - Dallas - Texas |
|
|
|
Winter, 1983 |
L.T.V.
CENTER - Office Tower and Pavilion - Trammell Crow - Company -
Harlan Crow - Dallas Arts District - Dallas - Texas: |
|
1.
Programmed and Designed - AUDIO/VISUAL FACILITIES - EXHIBITION
ACCOMMODATION - PERFORMANCE SPACE |
|
2. Designed
- RODIN SCULPTURE ACQUISITION EXHIBITION - in San Jacinto Tower |
|
|
|
AIRCOA -
Associated Inns and Restaurants Company of America - Willis
McFarlane - Denver - Colorado(1983- 1985): |
|
1. Designed
- INTERIM DESIGN SCHEME - Hotel Conversions to Clarion Hotels |
|
2.
Programmed - Coordinated - Redesigned - Atrium, Lobby, Street,
Entry, Restaurants, Graphics, Etc. - DENVER SHERATON TECH CENTER
HOTEL – Denver |
|
3.
Programmed, Consulted, Designed Details - Men's Bar,
Restaurants, Deli and Public Spaces - CLARION AIRPORT HOTEL -
San Francisco - California - Consulted on Design Schemes for
CLARION HOTEL - Colorado Springs - Colorado - CLARION HOTELS -
Napa - California - Ontario - California - St. Louis – Missouri |
|
|
|
Programmed
- Schematic Design - Outdoor Performance Facility - FIDDLER'S
GREEN AMPHITHEATRE - John Madden Company - John Madden -
Englewood – Colorado |
|
|
|
Exhibited -
2 One-Man Shows - Design Work for LES TROYENS and LE PROPHETE -
Chase Manhattan Bank - Agatha Kimmel - Lincoln Center - New York |
|
|
|
Exhibited -
Work from LES TROYENS - Fortunoff Windows - Saks Fifth Avenue -
New York |
|
|
|
Exhibited -
One-Man Show - Design Work for LES TROYENS - B. Altman and Co.,
- Judie Janney - New York |
|
|
|
Studied
Exhibition Design - BERKSHIRE MUSEUM - American History Workshop
- Richard Rabinowitz - Berkshire Museum - Gary C. Burger -
Pittsfield - Mass. |
|
|
|
Studied
Exhibition Design - HIGGINS ARMORY MUSEUM - American History
Workshop - Richard Rabinowitz - Moore- Heder, Architects - A.
Moore - Worcester - Mass. |
|
|
|
Fall, 1983 |
Designed -
LES TROYENS - Centennial Production - James Levine - Fabrizio
Melano - Metropolitan Opera - New York |
|
|
|
Produced -
GOODLY CREATURES - Staged Reading - William Gibson - Michael
Montel - Smithsonian Institution - National Museum of American
History - Roger Kennedy - Washington, D.C. |
|
|
|
Directed -
PETRIFIED FOREST - Department of Drama - University of Arizona -
Robert C. Burroughs - Tucson - AZ |
|
|
|
Summer, 1983 |
Co-Produced
- Directed - IF BEALE STREET COULD TALK - Multimedia Show for
the American History Workshop - Richard Rabinowitz - Center for
Southern Folklore - Judy Peiser - Memphis – Tennessee |
|
|
|
Produced
Festival of Outdoor Concerts - PICNICS IN THE AIR - Denver
Symphony Orchestra - Stephen Klein - Denver – Colorado |
|
|
|
Designed TEMPORARY OUTDOOR PERFORMANCE FACILITY for Denver
Symphony Orchestra, John Madden Company - John Madden -
Englewood - Colorado |
|
|
|
Spring, 1983 |
Designed -
Outdoor Shoot - TELEPORT GROUND BREAKING - Merrill Lynch Video
Network - Naomi Smith - Staten Island - New York |
|
|
|
Created
Production Design and Graphics - MERRILL LYNCH INDIVIDUAL
SERVICES - Corporate T.V. - Merrill Lynch Video Network - Naomi
Smith - New York |
|
|
|
Fall, 1982 |
Designed
Exterior Graphic Treatment and Interior - CORPORATE AIRCRAFT -
The Taubman Company - Al Taubman - Troy - Michigan |
|
|
|
SMITHSONIAN
INSTITUTION - The National Museum of American History - Roger
Kennedy - Washington, D.C.: |
|
1. Produced
- Designed - STAR SPANGLED BANNER, FLAG HALL |
|
2.
Co-Produced - Programmed - (Study) - HART HOUSE - Theatre Piece |
|
3.
Consulted on Design - ICE CREAM PARLOR |
|
4.
Performed General Design Consultation |
|
|
|
Spring, 1982 |
Designed
Settings and Slides - TALES FROM HOLLYWOOD - Christopher Hampton
- Center Theatre Group - Mark Taper Forum - Gordon Davidson -
Los Angeles |
|
|
|
Exhibited
One-Man Show - LE PROPHETE - Des Artistes Restaurant - George
Lang - New York |
|
|
|
Winter, 1981 |
Programmed
- Proposal - (Co-Production - Design) - OUTDOOR PERFORMANCE
FACILITY - Park and Recreation Department - City of Dallas - Sun
Gas Company - Dallas Arts Combine - Al Milano - Dallas Symphony
Orchestra - Leonard Stone - Dallas – Texas |
|
|
|
Consulted
on Design - COFFEE HOUSE MULTIPLES PROJECT - General Foods
Corporation - A.G. Findlay - G. Lang - Trisha Wilson Associates |
|
|
|
Consulted
on Design - PUBLIC SPACES - BEVERLY PLACE - Shopping Center -
Avener Nagger - Sheldon Gordon - The Taubman Co. - Beverly Hills
- California |
|
|
|
Spring, 1981 |
Designed
ALBERT HERRING - Savonlinna Opera Festival - Nathaniel Merrill -
T.Mustakallio - Svaonlinna - Finland Designed Scenery and
Projections - LO SPEZIALE - Michael Montel - Hugo Weissgal -
Queens College - New York |
|
|
|
Winter, 1980 |
Designed
Scenery - New Version - UN BALLO IN MASCHERA - Metropolitan
Opera - John Dexter - New York |
|
|
|
Directed -
TERRA NOVA - Pittsburgh Public Theatre - Ben Shaktman - Howard
Millman - Pittsburgh - Pennsylvania |
|
|
|
Fall, 1980 |
Designed
Scenery - DEATH OF A SALESMAN - Pittsburgh Public Theatre - Ben
Shaktman - Pittsburgh - Pennsylvania |
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Summer, 1980 |
DALLAS
SYMPHONY ORCHESTRA - Leonard Stone - Al Milano - Dallas - Texas: |
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1. Produced
- Artistic Directed - Facility Designed - STARFEST '80 |
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2. Prepared
Proposal - TEMPORARY OUTDOOR PERFORMANCE FACILITY |
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3. Helped
Prepare Proposal - TELEVISION SPECIAL |
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4. Advised
Building Committee - NEW SYMPHONY HALL |
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Spring, 1980 |
Exhibited
One-Man Show - A TEMPEST IN A TEAPOT - Des Artistes Restaurant -
George Lang - New York |
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Designed
Scenery - UN BALLO IN MASCHERA - Metropolitan Opera - John
Dexter - Lincoln Center - New York |
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Fall, 1979 |
Helped
Create Proposal for - THEATRE - 15th Street Lounge - Rensselaer
Polytechnical Institute - Bohlen, Powell, Brown, Architects -
Brannigan-Lorelli Associates - Bob Brannigan - Troy - New York |
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Created
Proposal for - TOURING UNIT - Metropolitan Opera - John Dexter -
Lincoln Center - New York |
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Helped
Create Proposal for - AQUARIAS THEATRE - Hardy, Holzman,
Pfeiffer Associates, Architects - Center Theatre Group - Mark
Taper Forum - Gordon Davidson - Los Angeles |
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Revived -
Settings and Costumes - LE PROPHETE - Metropolitan Opera - John
Dexter - Lincoln Center - New York |
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Spring, 1979 |
Designed
Settings (and Supervising Designer) for - ROYAL HUNT OF THE SUN
- Arizona Theatre Company - Sandy Rosenthal - David Hawkanson -
Tucson – Arizona |
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Designed
Scenery and projections - TERRA NOVA - Center Theatre Group -
Mark Taper Forum - Gordon Davidson - Los Angeles |
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Winter, 1978 |
Designed
Graphics, Setting, and Special Electronic Effects for - A
BROADWAY MUSICAL - Gower Champion - Lunt-Fontanne Theatre -
Norman Kean - New York |
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Designed -
VOJTECH BLAU GALLERY - 800 Fifth Avenue - Vojtech Blau - New
York |
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Designed
Proposal for - Filmic Environments - NEW YORK CULTURAL AMUSEMENT
CENTER - "42nd St. Program" - Les Productions AFEM, Inc. - Emil
Radok - Paul Krivicky - Montreal – Canada |
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Designed
Theatre Space - SANCTUARY - Rip Torn - Jack Gelber - Greenwich
House - Anita Gulkin - 27 Barrow Street - New York |
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Directed -
COLD STORAGE - Arizona Theatre Company - Sandy Rosenthal - David
Hawkanson - Tucson – Arizona |
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Summer, 1978 |
Designed -
Temporary Renovations and Auditorium Accommodations for AQUARIUS
THEATRE - ZOOT SUIT - Center Theatre Group - Gordon Davidson -
Bill Wingate - Los Angeles |
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Spring, 1978 |
Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES and RUG CONCERTS - Andre Kostelanetz,
Gunther Schuller - New York Philharmonic - Albert K. Webster -
Avery Fisher Hall - Lincoln Center - New York |
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Exhibited
One-Man Show - Designs, Models, Drawings for Orchestra, Opera
and Musicals - THE LOOK OF MUSIC - Avery Fisher Hall - Albert K.
Webster - New York |
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Designed Scenery, Lighting, and Costumes (with Connie Wexler) -
BY STROUSE - Charles Strouse - Norman Kean - the Ballroom, New
York and nationally |
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Winter, 1977 |
On Design
Study Team for Bohlen & Powell, Architects - Theater Space -
Rensselaer Polytechnical Institute - Brannigan-Lorelli
Associates - Bob Brannigan - Troy - New York |
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Fall, 1977 |
Designed
Scenery and Lighting - TREATS - Hudson Guild Theatre - Michael
Montel - New York |
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Exhibited
One-Man Show - DESIGNS FOR METROPOLITAN OPERA - Texaco
Headquarters - S. Tang - Harrison - New York |
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Summer, 1977 |
(1974-1977)
On Design Study Team for Frank O. Gehry & Associates, Inc.,
Architects - HOLLYWOOD BOWL - Ernest Fleischmann - Los Angeles |
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Investigated Festival (spatial and audience) Design Concepts -
AVERY FISHER HALL - New York Philharmonic - Albert K. Webster -
New York |
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Investigated Production Capability for Theatre Space - Art
Institute of Chicago - E. Lawrence Chalmers - John Economos -
Skidmore, Owings, Merrill Architects - Chicago - Illinois |
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Spring, 1977 |
Exhibited One-Man Show - Board Room - Metropolitan Opera - Eva
Popper - Metropolitan Opera - New York |
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Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES and RUG CONCERTS - Andre Kostelanetz,
Erich Leinsdorf - New York Philharmonic - Albert K. Webster -
Avery Fisher Hall - Lincoln Center - New York |
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Designed
Scenery, Lighting, and Costumes - JOCKEYS - Joe Kipness - Milton
Katselas - Promenade Theatre - New York |
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Winter, 1977 |
Designed
Scenery and Lighting - HAMLET - Arizona Civic Theatre - Sandy
Rosenthal - Tucson – Arizona |
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Guest
Lectured - Master's Course in Design - University of Arizona -
Bob Burroughs - Tucson – Arizona |
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Designed
Production - LE PROPHETE - Metropolitan Opera - John Dexter -
Lincoln Center - New York |
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Exhibited
One-Man Show - Sketches, Models - B. Altman & Co. - Judy Janny -
New York |
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Fall, 1976 |
Designed Scenery - HENRY V - Pittsburgh Public Theatre - Ben
Shaktman - Pittsburgh - Pennsylvania |
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Designed
Theatre Space (Phase II) - PITTSBURGH PUBLIC THEATRE - Ben
Shaktman - Pittsburgh - Pennsylvania |
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Summer, 1976 |
Production
Designed - OTELLO - Israel Philharmonic Orchestra - Zubin Mehta
- Tel Aviv – Israel |
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Spring, 1976 |
Studied
Opera Installation Project - BERKSHIRE MUSIC FESTIVAL - Boston
Symphony Orchestra - Seiji Ozawa - Nathaniel Merrill -
Tanglewood - Mass. |
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Designed
Revival - Scenery and lighting - LIZZIE BORDEN - New York City
Opera - State Theatre - Julius Rudel - Lincoln Center - New York |
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Fall, 1975 |
Designed
Production/Tour Package - OTELLO - Gramma Fisher Foundation -
William Fisher - Houston - Washington, D.C. - Seattle - San
Diego |
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Designed
Theatre Space and Productions - PITTSBURGH PUBLIC THEATRE - Ben
Shaktman - Pittsburgh - Pennsylvania |
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Spring, 1975 |
Created Spatial Conception, Audience Design, Lighting, and
Graphics - THE RUG CONCERTS - New York Philharmonic - Pierre
Boulez - Avery Fisher Hall - New York |
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Created
Production - NEW YORK PHILHARMONIC PROMENADES - Andre
Kostelanetz - Avery Fisher Hall - New York |
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Winter, 1975 |
Designed
Scenery - THE PHILANTHROPIST - Goodman Theatre - Michael Montel
- Chicago - Illinois - New National Theatre - Roger Stevens -
Washington, D.C. |
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Fall, 1974 |
Investigated Spatial and Audience Design Concepts - AVERY FISHER
HALL - New York Philharmonic - Carlos Moseley - Max Abromowitz,
Architect - New York |
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Summer, 1974 |
Designed
Lighting - HOLLYWOOD BOWL SEASON "SUMMER FESTIVAL '74" - Los
Angeles Philharmonic - Ernest Fleischmann - Los Angeles |
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Spring, 1974 |
Created
Spatial Conception, Audience Design, Lighting, and Graphics -
THE RUG CONCERTS - New York Philharmonic - Pierre Boulez - Avery
Fisher Hall - New York |
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Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES - Andre Kostelanetz - Avery Fisher Hall
- New York |
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Designed
Scenery and Lighting - HENRY IV, PARTS I AND II - Goodman
Theatre - William Woodman – Chicago |
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Designed
Scenery and Lighting - HAMLET - Center Theatre Group - Mark
Taper Forum - Gordon Davidson - Los Angeles |
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Winter, 1973 |
Designed
Scenery, Lighting, and Costumes - Benjamin Britten's - CHURCH
TRILOGY - Concert Artists Guild - Nathaniel Merrill - St.
Stephen's Church - New York |
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Designed
Scenery, Lighting, and Edited Film - REVIEW OF REVIEWS - John
Fernly - Avery Fisher Hall - New York |
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Fall, 1973 |
Designed
Scenery, Costumes, and Visual Effects (Film) - LES TROYENS -
Metropolitan Opera Company - Rafael Kubelik - Nathaniel Merrill
- New York |
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Created
Spatial Conception and Design of Theatre - STAGE B - 20th
Century Fox – Center Theatre Group - Gordon Davidson - Los
Angeles |
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Spring, 1973 |
Created
Spatial Conception, Audience Design, Lighting, and Graphics -
THE RUG CONCERTS - New York Philharmonic - Pierre Boulez -
Carlos Moseley - Philharmonic Hall - New York |
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Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES - Andre Kostelanetz - Carlos Moseley -
Philharmonic Hall - New York |
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Winter, 1973 |
Designed Scenery - Leonard Bernstein's MASS - Center Theatre
Group - Mark Taper Forum - Gordon Davidson - Los Angeles |
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Winter, 1972 |
Designed
Scenery, Lighting, and Edited Film - HAPPY TALK - William
Hammerstein - Philharmonic Hall - New York |
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Summer, 1972 |
Designed
Scenery and Costumes - CURLEW RIVER - Central City Opera House
Association - Nathaniel Merrill - Central City - Colorado |
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Spring, 1972 |
Designed Scenery, Lighting, Interior, Exterior, and Graphics -
NEW YORK PHILHARMONIC PROMENADES - Andre Kostelanetz - Carlos
Moseley - Philharmonic Hall - New York |
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Designed
Scenery - THE WEB AND THE ROCK - Jose Ferrer - Cheryl Crawford -
Theatre de Lys - New York |
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Winter, 1971 |
Designed
Scenery - MURDEROUS ANGELS - Phoenix Theatre - Gordon Davidson -
New York |
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Designed
Scenery and Lighting - THE GERSHWIN YEARS - Arthur Whitelaw -
Philharmonic Hall - New York |
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Production
Designed - Film - THE TRIAL OF THE CATONSVILLE NINE - Gregory
Peck - Gordon Davidson - Culver City Studios - Los Angeles |
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Summer, 1971 |
Designed
Scenery - GODSPELL - Center Theatre Group - Mark Taper Forum -
Steven Schwartz - Los Angeles |
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Designed -
A SCULPTURE CALLED PARK - Arlen Realty and Development
Corporation - Open Space at 17 Battery Place - New York |
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Designed
Scenery - THE TRIAL OF THE CATONSVILLE NINE - Center Theatre
Group - Mark Taper Forum - Gordon Davidson - Los Angeles |
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Spring, 1971 |
Designed
Scenery - THE TRIAL OF THE CATONSVILLE NINE - Gordon Davidson -
Lyceum Theatre - New York |
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Designed -
CLEO AWARDS CEREMONY - American Television Commercials Festival
- Wallace Ross - New York |
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Designed
Film Title Art (with Michael Bennett) - CLEO AWARDS - American
Television Commercials Festival - Wallace Ross - New York |
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Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENDADES - Andre Kostelanetz - Kenneth Haas -
Philharmonic Hall - New York |
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Designed
Scenery - THE TRIAL OF A. LINCOLN - Milton Katselas - Henry
Fonda – Tour |
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Designed
Scenery - THE TRIAL OF THE CATONSVILLE NINE - Phoenix Theatre -
T. Edward Hambleton - Gordon Davidson - Good Shepherd Faith
Church - New York |
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Fall, 1970 |
Designed
Costumes - ROSEBLOOM - Center Theatre Group - Mark Taper Forum -
Gordon Davidson - Los Angeles |
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Designed
Theatre Complex - UPPER WEST - Olympia Theatre - David Dretzin -
107th Street - New York - (Study) |
|
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|
Spring, 1970 |
Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES - Andre Kostelanetz - Kenneth Haas -
Philharmonic Hall - New York |
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Designed
Scenery - MURDEROUS ANGELS - Center Theatre Group - Mark Taper
Forum - Gordon Davidson - Los Angeles |
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Designed
Scenery - MINNIE'S BOYS - Arthur Whitelaw - Patricia Birch -
Imperial Theatre - New York |
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Designed
Scenery and Costumes - CAMINO REAL - Repertory Theatre of
Lincoln Center - Jules Irving - New York |
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Fall, 1969 |
Designed
Lighting - PROMETHEUS - NEW YORK PHILHARMONIC - Scriabin - Seiji
Ozawa - New York |
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Designed
Scenery - STATE DEPARTMENT TOUR of the Far East and Eastern
Europe - Center Theatre Group - Mark Taper Forum - Gordon
Davidson - Los Angeles |
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Designed
Scenery and Costumes - UNCLE VANYA - Center Theatre Group - Mark
Taper Forum - Harold Clurman - Los Angeles |
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Spring, 1969 |
Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES - Andre Kostelanetz - Kenneth Haas -
Philharmonic Hall - New York |
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Designed
Scenery - CHEMIN DE FER - Center Theatre Group - Mark Taper
Forum - Gordon Davidson - Los Angeles |
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Designed
Scenery (and Projections with E. Bunin) - IN THE MATTER OF J.
ROBERT OPPENHEIMER - Repertory Theatre of Lincoln Center - Jules
Irving - Gordon Davidson - New York |
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Exhibited
One-Man Show - Wright-Hepburn-Webster Gallery - New York (Works
on view there and at Capricorn Gallery 1968 through 1971) |
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|
Summer, 1968 |
Designed
Scenery and Lighting - CAMINO REAL - Center Theatre Group - Mark
Taper Forum - Milton Katselas - Los Angeles |
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|
Spring, 1968 |
Designed
Scenery - Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES - Andre Kostelanetz - Kenneth Haas -
Philharmonic Hall - New York |
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Designed
Scenery (and Projections with E. Bunin) - IN THE MATTER OF J.
ROBERT OPPENHEIMER - Center Theatre Group - Mark Taper Forum -
Gordon Davidson - Los Angeles |
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Principal
Designer - CENTER THEATRE GROUP - MARK TAPER FORUM - Los Angeles
(Design Advisor through 1974) |
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Fall, 1967 |
Designed
Scenery - THE HAPPY TIME - David Merrick - Gower Champion - The
Broadway Theatre - New York |
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Designed
Scenery, Lighting, and Costumes - THE MARRIAGE OF MR.
MISSISSIPPI - Center Theatre Group - Mark Taper Forum - Malcolm
Black - Los Angeles |
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Spring, 1967 |
Designed
Scenery, Lighting, Interior, Exterior, and Graphics - NEW YORK
PHILHARMONIC PROMENADES - Andre Kostelanetz - Kenneth Haas -
Philharmonic Hall - New York |
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Designed
Scenery, Lighting, and Costumes - THE DEVILS - (Opening
Production) - Center Theatre Group - Mark Taper Forum - Music
Center - Gordon Davidson - Los Angeles |
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Principal
Designer - CENTER THEATRE GROUP - MARK TAPER FORUM - Music
Center - Los Angeles |
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Winter, 1966 |
Designed
Scenery - POSSIBILITIES - Jack Landau - Stanley Gordon - Ethel
Barrymore Theatre - New York (not produced) |
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Designed
Scenery and Lighting - A JOYFUL NOISE - Edward Padula - Michael
Bennett - Mark Hellinger Theatre - New York |
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Designed
Scenery and Lighting - ON A CLEAR DAY YOU CAN SEE FOREVER -
Peter Coe - Liz McCann - Tahse Corporation National Tour |
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Summer, 1966 |
Designed
Scenery, Lighting, and Costumes - CANDIDE - The Theatre Group -
Gordon Davidson - Los Angeles |
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|
Spring, 1966 |
Designed
Scenery and Interior - NEW YORK PHILHARMONIC - PROMENADES -
Andre Kostelanetz - Philharmonic Hall - New York |
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|
Designed
Scenery, Lighting, and Costumes - COSI FAN TUTTI - Corpus
Christi Symphony Orchestra - Gordon Davidson - Maurice Peress –
Texas |
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Exhibited
Retrospective Show of Designs - New York State University -
Binghamton - New York |
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|
Designed
Scenery and Lighting - THE MAGIC FLUTE - Washington Opera
Society - Nathaniel Merrill - Washington, D.C. |
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Winter, 1965 |
Designed
Scenery - THE WHITE DEVIL - Circle-in-the-Square - Ted Mann -
Jack Landau - New York |
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|
Designed
Scenery, Lighting, and Costumes - THE DEPUTY - Sherwin Rogers -
National Tour |
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|
Summer, 1965 |
Designed
Scenery (Art Director) - THE MERV GRIFFIN SHOW - Westinghouse
T.V. - New York |
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|
Designed
Scenery and Lighting - THE BURNT FLOWER BED - The Theatre Guild
- J. Oestreicher - Edward Parone - Stock Tour |
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|
Designed
Scenery, Lighting, and Costumes - THE DEPUTY - The Theatre Group
- Gordon Davidson - Los Angeles |
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|
Spring, 1965 |
Designed
Scenery and Interior - NEW YORK PHILHARMONIC - PROMENADES -
Andre Kostelanetz - Philharmonic Hall - New York |
|
|
|
Designed
Scenery and Lighting - LIZZIE BORDEN - New York City Opera
Company - Julius Rudel - Nikos Psacharopoulos - New York |
|
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|
Designed
Scenery, Lighting, and Costumes - LA BOHEME - Corpus Christi
Symphony Orchestra - Gordon Davidson - Maurice Peress - Texas |
|
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|
Fall, 1964 |
Designed Scenery - WAR AND PEACE - Phoenix Theatre - T. Edward
Hambleton - Ellis Rabb - New York |
|
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|
Summer, 1964 |
Designed
Scenery and Lighting - WATCH THE BIRDIE - 7 Arts Productions -
Larry Kasha |
|
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|
Supervised
- MAGIC LANTERN - Projected Scenery Show from Prague (Designed
Stage Installation) - Josef Svoboda - Carnegie Hall - New York |
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|
Spring, 1964 |
Designed
Ballet - DREAMS - Emily Frankel - New York |
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|
Designed Scenery, Movie - ANDY - Universal Pictures - New York |
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|
Winter, 1963 |
Designed
Scenery, Costumes, and Lighting - CAPERS - (CAPRICE ) - Robert
Joffrey Ballet Tour (Bolshoi Theatre - Moscow) – Brian McDonald,
Choreographer |
|
|
|
Designed
Lighting - SCAPINO BALLET and ELEANOR ROOSEVELT TRIBUTE -
Philharmonic Hall - New York |
|
|
|
Designed
Scenery, Lighting, and Costumes - VENUS AND ADONIS - MASQUE OF
ANGELS - Center Opera Company - Dominick Argento - Tyrone
Guthrie Theatre - Minneapolis – Minnesota |
|
|
|
Designed Scenery and Lighting - MYSTERY OF ELCHE - Mark Epstein
- New York |
|
|
|
Spring, 1963 |
Designed
Lighting - TIME DINNER - Waldorf Astoria - New York |
|
|
|
Designed Scenery, Lighting, and Costumes - TAMING OF THE SHREW -
and Scenery and Lighting for ABE LINCOLN IN ILLINOIS - Phoenix
Theatre - Stuart Vaughn - New York |
|
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|
1962 |
Designed
Scenery, Television - SAY WHEN - Goodson-Todman - New York |
|
|
|
Designed
Scenery and Lighting - PORTRAIT OF THE ARTIST AS A YOUNG MAN -
Martinique Theatre - New York |
|
|
|
Designed Scenery and Lighting - THREEPENNY OPERA - Sacandaga
Playhouse - Sacandaga - New York |
|
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|
1961 |
Designed
Original Scenery and Lighting - BRECHT ON BRECHT - A.N.T.A. -
Theatre De Lys - New York |
|
|
|
Designed
Scenery, Lighting and Costumes - THE CURATE’S PLAY - St.
George’s Church - Rev. Edward O. Miller - Malcolm Black, Dir. -
Stuyvesant Square - New York |
|
|
|
Designed the Stage at THE WHITE HOUSE - (for then President
Kennedy) - Washington, D.C. |
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|
1959 |
Designed
Scenery, Lighting, and Costumes - THE BIG KNIFE - Peter
Bogdanovich - 7 Arts Playhouse - New York |
|
|
|
Designed
Scenery, Lighting, and Costumes - ANTHONY AND CLEOPATRA - New
York Shakespeare Festival - Joe Papp - Heckshire Theatre - New
York |
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END |
